Entertainment & Biography

Why Rod Stewart Standards Matter in Music History

Rod Stewart | Ross Halfin Photography | Music Photography & Artist ...
Rod Stewart | Ross Halfin Photography | Music Photography & Artist ...

The significance of Rod Stewart’s standards lies in their role as a commercial and cultural bridge between the rock era and the pre-rock "Great American Songbook." By pivoting to traditional pop in 2002, Stewart revitalized his career, saved the financial fortunes of his label, and established a sustainable "legacy artist" blueprint that reshaped how the music industry approaches aging superstars.

The Context of the Early 2000s Music Industry

To understand why Rod Stewart’s foray into standards matters, one must examine the landscape of the music industry at the turn of the millennium. By the late 1990s, many heritage rock acts—artists who had dominated the 1960s and 70s—were struggling to find a place on Top 40 radio. The rise of teen pop (Britney Spears, NSYNC) and the explosion of hip-hop and nu-metal had pushed classic rock icons to the periphery of the charts.

Rod Stewart, despite his status as one of the best-selling artists of all time, was facing a similar decline. His 2001 album, Human, while contemporary in its production, failed to resonate with a broad audience. It was at this critical juncture that Stewart, in partnership with legendary A&R executive Clive Davis, decided to look backward to move forward. This decision was not merely a creative whim; it was a calculated risk that would eventually prove to be one of the most successful "second acts" in recording history.

The Birth of the Great American Songbook Series

In 2002, Stewart released It Had to Be You: The Great American Songbook. The album consisted of standards by composers like George Gershwin, Cole Porter, and Irving Berlin. While Stewart was not the first rock artist to tackle the standards—Linda Ronstadt had famously done so with Nelson Riddle in the 1980s—his approach was different. Stewart didn't attempt to change his voice to fit a classical "crooner" mold. Instead, he brought his signature raspy, rock-and-roll phrasing to these polished compositions.

The success was immediate and staggering. The album peaked at number four on the Billboard 200 and went triple platinum in the United States. This success proved that there was a massive, underserved market of older listeners who were eager for high-quality, melodic music that felt both familiar and fresh. It also introduced these 1930s and 40s classics to a younger demographic that had primarily known Stewart for hits like "Maggie May" or "Da Ya Think I'm Sexy?"

The Collaborative Force: Clive Davis and J Records

The role of Clive Davis cannot be overstated in this historical shift. Having recently founded J Records after his departure from Arista, Davis needed a major win to establish the label's dominance. He recognized that Stewart’s voice, often compared to "fine sandpaper," could provide a unique texture to songs that were usually sung with smooth, vibrato-heavy delivery.

Davis’s marketing genius ensured that the Songbook series was positioned as a premium product. The arrangements were lush and orchestral, and the guest spots included heavyweights like Cher, Stevie Wonder, and Eric Clapton. This made the project feel like a significant cultural event rather than a "covers" album. In the history of music business, this remains a textbook example of how a label and artist can collaborate to rebrand an icon for a new era.

Why didn't Rod Stewart play at Live Aid?
Why didn't Rod Stewart play at Live Aid?

Why the "Rasp" Redefined the Genre

One of the primary reasons these standards matter in music history is how they challenged the technical expectations of the genre. Before Stewart, the Great American Songbook was the domain of the technically "perfect" vocalists—Frank Sinatra, Ella Fitzgerald, and Tony Bennett. These singers emphasized clarity, breath control, and formal phrasing.

Stewart’s interpretation democratized the Songbook. His versions were characterized by:



  • Conversational Phrasing: He sang the songs as if he were telling a story at a bar, rather than performing in a concert hall.
  • Emotional Vulnerability: The natural wear and tear in his voice added a layer of world-weariness to lyrics about love and loss that pristine vocalists sometimes lacked.
  • Rhythmic Flexibility: Coming from a rock and soul background, Stewart brought a different sense of "swing" to the tracks, often lagging behind the beat in a way that felt modern.

This shift allowed the songs to be seen as living documents rather than museum pieces. It signaled to the music world that you didn't need to be a classically trained jazz singer to respect and elevate the works of the Gershwins.

The "Legacy Artist" Blueprint

Perhaps the most significant historical impact of Rod Stewart’s standards is the "blueprinting" of the legacy career path. Before 2002, an aging rock star typically had two choices: continue making diminishing-returns rock albums or retire to the nostalgia circuit. Stewart created a third path: the Pivot to Sophistication.

Following the massive success of the five Great American Songbook volumes, the music industry saw a wave of similar projects. Artists who had previously defined themselves through rebellion or volume began to explore the "pre-rock" era. This trend included:



  • Barry Manilow: Reinvigorated his career with the Greatest Songs of the Fifties/Sixties/Seventies series.
  • Paul McCartney: Released Kisses on the Bottom (2012), exploring the standards his father played.
  • Bob Dylan: Surprisingly entered the fray with Shadows in the Night (2015) and Fallen Angels (2016).
  • Cyndi Lauper: Released Detour (2016), tackling country and pop standards.

Stewart’s success provided the commercial "proof of concept" that record labels needed to invest in these high-production, orchestral projects for older artists. In music history, he is the catalyst for the modern "standards" renaissance.

Analysis of the Five Volumes and Their Impact

Each volume of the Great American Songbook series served a specific purpose in cementing Stewart’s new identity. By the time he reached Volume 3, he was no longer a rock singer "trying out" jazz; he was the leading contemporary interpreter of the genre.



Album Volume Year US Billboard Peak RIAA Certification Key Collaborators
Vol. 1: It Had to Be You 2002 4 3x Platinum Clive Davis, Richard Perry
Vol. 2: As Time Goes By 2003 2 2x Platinum Cher, Queen Latifah
Vol. 3: Stardust 2004 1 Platinum Stevie Wonder, Bette Midler
Vol. 4: Thanks for the Memory 2005 2 Platinum Diana Ross, Elton John
Vol. 5: Fly Me to the Moon 2010 4 Gold Richard Perry, Clive Davis

Volume 3, Stardust, was particularly historic as it earned Stewart his first—and only—Grammy Award for Best Traditional Pop Vocal Album. This served as a formal validation from the recording academy, signaling that his transition was a legitimate artistic achievement, not just a commercial gimmick.

Cultural Preservation and Generational Bridging

In the broader scope of music history, Rod Stewart’s standards matter because they acted as a vessel for cultural preservation. By the early 2000s, the composers of the Great American Songbook were fading from public consciousness. Stewart brought these melodies back into the mainstream.

His versions of "The Way You Look Tonight" or "They Can't Take That Away From Me" became staples at weddings and social events for a generation that had never heard the originals. By 2026, looking back at the two-decade span since the series began, it is clear that Stewart played a vital role in ensuring these songs remained part of the global cultural vocabulary. He bridged the gap between the "Greatest Generation" and the "Baby Boomers," and even introduced these melodies to "Gen X" and "Millennials" through ubiquity in media and retail environments.

Critical Backlash vs. Historical Reality

It is important to acknowledge that the Songbook series was not universally loved by critics. Many jazz purists felt the arrangements were too "safe" and that Stewart’s voice lacked the technical precision required for the material. Some accused him of "karaoke on an expensive scale."

However, from a music history perspective, the critical backlash is often secondary to the cultural and industrial impact. History remembers what changed the trajectory of the medium. Stewart’s standards changed the business of music for heritage artists, altered the Billboard charts for a decade, and proved that the "Great American Songbook" was a renewable resource that could be adapted to any vocal style. The historical reality is that Stewart’s standards provided a lifeline for the physical media market during the early days of digital piracy and streaming.

The 2026 Perspective: A Lasting Legacy

As we stand in 2026, the legacy of Rod Stewart’s standards is more relevant than ever. Following his series, Stewart continued to explore different genres through a "standards" lens, including soul (Soulbook) and even his 2024 collaboration with Jools Holland, Swing Fever.

This continuous exploration has redefined Rod Stewart as more than just a rock singer; he is a vocal stylist who transcends genre. His work in the early 2000s set the stage for the modern era of "crossover" albums that we see today across all genres. The "Rod Stewart Standards" are now a recognized chapter in music textbooks, illustrating how an artist can gracefully age while maintaining relevance, commercial power, and artistic curiosity.

Common Questions About Rod Stewart's Standards

Why did Rod Stewart start singing standards?

Rod Stewart began singing standards because his contemporary rock career had plateaued in the late 1990s. Seeking a new creative direction and a way to reconnect with his audience, he partnered with Clive Davis to record the Great American Songbook. He had always been a fan of these songs—having listened to them in his childhood home—and felt his maturing voice was well-suited for the emotional depth of the lyrics.

Did Rod Stewart write any of the songs in the Songbook series?

No, the Great American Songbook series consists entirely of covers. The songs were written by the masters of the early 20th-century pop era, including George and Ira Gershwin, Cole Porter, Rodgers and Hart, and Jerome Kern. Stewart’s role was that of an interpreter, bringing a modern rock-and-roll sensibility to classic compositions.

Which Rod Stewart standards album was the most successful?

In terms of chart position, Stardust: The Great American Songbook, Volume III (2004) was the most successful, reaching number one on the Billboard 200 and winning a Grammy Award. However, Volume 1, It Had to Be You, remains the highest-selling in terms of RIAA certifications, having reached triple-platinum status.

How did the standards affect Rod Stewart’s live performances?

The standards completely transformed Stewart’s live shows. While he continued to play his rock hits, his concerts became more theatrical and sophisticated, often featuring a full orchestra and a "big band" section. This allowed him to perform in more intimate, high-end venues like the Colosseum at Caesars Palace, where he held a long-running and highly successful residency.

Who are some artists who followed Rod Stewart’s lead in recording standards?

Following Stewart’s success, many artists explored the standards, including Bob Dylan, Paul McCartney, Robbie Williams, Cyndi Lauper, and Queen Latifah. Even modern artists like Michael Bublé and Lady Gaga (with Tony Bennett) owe a debt to the commercial path paved by Stewart, which proved that standards could still be multi-platinum hits in the 21st century.

Practical Recommendation for Listeners

To truly understand why these standards matter, listeners should start with Volume 1: It Had to Be You. It represents the purest moment of the transition—a rock star tentatively but soulfully stepping into a new world. Pay close attention to his phrasing on "You Go to My Head." After exploring the original five volumes, listen to his 2024 album Swing Fever with Jools Holland to see how he evolved from the lush, orchestral arrangements of the early 2000s into a more raw, high-energy "big band" sound. This progression illustrates his growth not just as a singer, but as a curator of musical history.

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Written by

Celine Dubois

Contemporary Living and Global Arts Columnist